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New English art tours launch on France’s extraordinary 150km trail
The mountain trail in south-east France visits artwork by Andy Goldsworthy, Herman de Vries, Joan Fontcuberta, and Paul-Armand Gette
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Why France's 'Cathar castles' will no longer be called Cathar
Sites in south-west expected to receive Unesco World Heritage status
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Jardin des Cinq Sens: Yvoire’s magical lakeside garden
A brief history of a special French medieval garden on the banks of Lake Geneva in Haute-Savoie
French music review: Philippe Katerine
Philippe Katerine Confessions
Anyone who witnessed Philippe Katerine’s rivetingly weird performance at this year’s Victoires de la Musique awards ceremony will not forget it in a hurry, given that he sang Stone avec toi dressed in a suit festooned with inflated blue washing-up gloves.
Yet Katerine is at ease with this performance art element of his work – and it is truly welcome in a modern ‘showbiz’ largely devoid of bona fide eccentrics.
He is also a well-regarded comedy actor, which helps somewhat.
But he is very well-regarded as a singer-songwriter too, content to genre-swap and innovate at every turn. In his career, he has veered from a lounge lizard-style crooner, warbling over bossa nova beats, to rocker and even electronica pioneer.
The album from which Stone avec toi is taken, Confessions, is an inventive mish-mash of styles taking in electro-pop, jazz and rap, with plenty of off-the-wall collaborations and lyrical content that addresses everything from Macron (whose voice is sampled) to Kanye West and homophobia.
He is married to Julie Depardieu, whose father Gérard contributes to Blond.
In short, Katerine must be doing something right – he won Best Male Artist.
Watch and listen: