I moved to France and became an online art teacher with more than 44,000 students
Reader Nicola Blakemore, 72, explains how online courses made web lessons viable
Nicola Blakemore says the Covid-19 pandemic proved an unlikely boost to her online lessons
Nicola Blakemore
After training as a graphic artist in Coventry, England, the early years of my career were spent in media and PR.
I eventually returned to art in the early 2000s, taking commissions for murals or friezes for a variety of clients. I also taught on a graphic design course at a local college in Kidderminster.
I enjoyed having different strings to my bow. Being able to diversify meant my income was not dependent on a single source, which made it less precarious.
As I gained confidence, I realised I could freelance from anywhere – and my thoughts turned to travel. I had always loved France and spent many happy holidays in the country. I wondered if I might move there one day, and in 2008 the time suddenly seemed right.
My parents had passed away and I was living on a housing estate in Worcestershire. It felt as if everything was closing in on me, and I longed for new pastures.
As I already had a good five years of freelance experience under my belt, I felt confident I could transfer my work. But I also knew I would have to do more than just produce art – I wanted to teach it too.
With limited French at the time, I was not ready to apply to colleges or art centres in France, and teaching online had not yet taken off. My only hope was to attract people for in-person courses.
I purchased a small, terraced house in Quarante (Hérault) and moved over on my own.
With one income, it was important to keep up momentum, work-wise, so as soon as I arrived I launched my new enterprise – painting holidays in the Languedoc countryside.
With a fairly modest house, I did not offer my clients accommodation, but there was plenty for them to choose from locally. The selling point for clients was that they could have a traditional holiday as well as learning or developing artistic skills.
Fortunately, this proved popular and I was able to run several holidays a year, generating a modest income.
I also offered intensive one-to-one art courses and reached out to potential corporate clients to run painting holidays for executives and employees.
Meanwhile, the internet’s potential was expanding. In 2010, I began to make videos on YouTube, expanding my reach. The videos could be used as a teaching tool, but were also a great way to market what I do.
Most people still preferred learning in person, especially when it came to art, but live internet lessons were gaining traction. In 2014, I discovered a company that hosted online courses and applied with my art classes.
Once I had gained experience, I knew I wanted to do something myself. Could I open my own online art school? And would I be able to market myself and attract clients?
With my art holidays and online teaching as backup, I decided to take a punt on myself. I created a website and began to offer one-to-one or group classes. Working for myself rather than through a company was riskier, but offered the chance of more autonomy and financial reward.
The Covid-19 pandemic was a dreadful time for so many people – myself included. But one silver lining was that suddenly everyone was interested in learning online. By this time, my school was already well established, and demand exploded. I was able to renovate my house with the proceeds!
I now have over 44,000 students across five continents and my YouTube channel has over 30,000 subscribers.
These days I continue to run the painting holidays while also offering classes through my art school. I never sit still and am always looking for new opportunities. As a freelancer, you have to be flexible. I have found that there is always an opportunity if you look. That’s something I have always capitalised on – I’m a trooper!